Image Exposure (Shooting the Screen)

Screen Development (Opening up Print Areas via Power Washer)

Emulsion Coating (Applying the Photosensitive Material to the Mesh)

Screen Blockout and Touch Up (Covering Non Print Areas and Pinholes from Development)

Screen Reclaim (Taking Old Emulsion and Image Off the Screen Mesh)

Screen Restretching (New Mesh on Existing Frames)

Film Output (Creating the Negatives to Expose on the Screen)

Screen Setup (Preparing Screen)

Machine Setup (Putting the Screen on Press and Registering the Image to the Substrate for Placement)

Initial Clear Coat Printing (To Stabilize the Paper for the Printing Process so the Image Stays in Registration)

Color Matching Inks to Original Image (Layer Dependent) and Making Adjustments in the Proofing Process (The Precursor to Editioning)

Print Editioning (The Creation of the Multiple Final Prints to be Numbered and Signed)

Clean Up and Reclaim (Taking the Ink and Old Emulsion with Image off the Screen)

Importing Highest Resolution Image of the Desired Image and Creating Organized Personal Artists Folder to be Given to the Artist Upon Project Completion

Color Separation (Taking Each Color and Assigning it to be a Layer for Printing)

Film Alterations (In the Proofing Process Often Times the Image Itself Requires Adjustments to be Made and New Screens Need to be Created)

Image Placement (Creating the Desired Border Size With Crop Marks Whcih Serve as the Guide For Final Cutdown of the Edition, as Well as Registration Guides for Layer to Layer Printing)